Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Japan: 'Butterflies'. Oil on canvas painting by Fujishima Takeji (1867-1943), 1904.<br/><br/>

Fujishima Takeji (October 15, 1867 - March 19, 1943) was a Japanese painter from an ex-samurai class household in southern Kyushu. He helped to develop impressionism and Romanticism within the Western-style ('yōga') art movement that became popular in Japanese painting during the late 19th and early 20th century. He would also be inspired by the Art Nouveau movement in his later years.
Japan: 'Artichoke'. Oil on canvas painting by Fujishima Takeji (1867-1943), 1917.<br/><br/>

Fujishima Takeji (October 15, 1867 - March 19, 1943) was a Japanese painter from an ex-samurai class household in southern Kyushu. He helped to develop impressionism and Romanticism within the Western-style ('yōga') art movement that became popular in Japanese painting during the late 19th and early 20th century. He would also be inspired by the Art Nouveau movement in his later years.
Paul Emile Berthon (1872–1909) was a French artist who produced primarily posters and lithographs. Berthon's work is in the style of Art Nouveau, much like his contemporary Alphonse Mucha. Berthon studied as a painter in Villefranche before moving to Paris. He later enrolled at the Ecole Normale d'Enseignement de Dessin and received lessons from Luc-Olivier Merson.<br/><br/>

His study of the decorative arts influenced his print making, influencing the strong lines and natural details that guided his art.
Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.
Alfons Maria Mucha (24 July 1860 – 14 July 1939), often known in English and French as Alphonse Mucha, was a Czech Art Nouveau painter and decorative artist, celebrated for his distinctive style.<br/><br/>

He produced numerous paintings, illustrations, advertisements, postcards, and designs.
Walter Crane (15 August 1845 – 14 March 1915) was an English artist and book illustrator. He is considered to be the most influential, and among the most prolific, children’s book creator of his generation and, along with Randolph Caldecott and Kate Greenaway, one of the strongest contributors to the child's nursery motif that the genre of English children's illustrated literature would exhibit in its developmental stages in the latter 19th century.<br/><br/>

Crane's work featured some of the more colourful and detailed beginnings of the child-in-the-garden motifs that would characterize many nursery rhymes and children's stories for decades to come. He was part of the Arts and Crafts movement and produced an array of paintings, illustrations, children's books, ceramic tiles and other decorative arts. Crane is also remembered for his creation of a number of iconic images associated with the international Socialist movement.
Henri Meunier (born Henri Georges Jean Isidore Meunier; 25 July 1873 Ixelles – 8 September 1922 Brussels) was a Belgian Art Nouveau lithographer, etcher, illustrator, bookbinder and poster designer of the Belle Epoque.<br/><br/>

Henri Meunier was the son of the etcher Jean-Baptiste Meunier and was the nephew of the sculptor Constantin Meunier. He received his first training in engraving in his father's workshop. After studying at the academy in Ixelles, he diversified into printmaker, poster designer, graphic reporter and book binder. Meunier used flat colours and thick outlines, borrowed from Japanese prints, to achieve powerful images.
Le Chat Noir (French for 'The Black Cat') was a nineteenth-century entertainment establishment, in the bohemian Montmartre district of Paris. It opened on 18 November 1881 at 84 Boulevard Rochechouart by the impresario Rodolphe Salis, and closed in 1897 not long after Salis' death (much to the disappointment of Picasso and others who looked for it when they came to Paris for the Exposition in 1900).<br/><br/>

Le Chat Noir is thought to be the first modern cabaret: a nightclub where the patrons sat at tables and drank alcoholic beverages while being entertained by a variety show on stage. The acts were introduced by a master of ceremonies who interacted with well-known patrons at the tables. Its imitators have included cabarets from St. Petersburg (Stray Dog Café) to Barcelona (Els Quatre Gats).<br/><br/>

Perhaps best known now by its iconic Théophile-Alexandre Steinlen poster art, in its heyday it was a bustling nightclub that was part artist salon, part rowdy music hall. The cabaret published its own humorous journal <i>Le Chat Noir</i> until 1895.
Art Nouveau is a style of art, architecture and applied art – especially the decorative arts – that was most popular during 1890–1910. English uses the French name Art Nouveau ('new art'), but the style has many different names in other countries.<br/><br/>

A reaction to academic art of the 19th century, it was inspired by natural forms and structures, not only in flowers and plants, but also in curved lines. Architects tried to harmonize with the natural environment.
Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.
Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.
Henri Privat-Livemont (1861–1936) was an artist born in Schaerbeek, Brussels, Belgium.<br/><br/>

He is best known for his Art Nouveau posters. From 1883 to 1889, he worked and studied in the studios of Lemaire, Lavastre & Duvignaud. He later moved back to Brussels, and worked on theaters and casinos there.
Alfons Maria Mucha (24 July 1860 – 14 July 1939), often known in English and French as Alphonse Mucha, was a Czech Art Nouveau painter and decorative artist, celebrated for his distinctive style.<br/><br/>

He produced numerous paintings, illustrations, advertisements, postcards, and designs
Nihonbashi ( literally 'Japan Bridge') is a business district of Chuo, Tokyo, Japan which grew up around the bridge of the same name which has linked two sides of the Nihonbashi River at this site since the 17th century. The first wooden bridge was completed in 1603.<br/><br/>

 The current bridge designed by Tsumaki Yorinaka was constructed of stone on a steel frame dates from 1911. The district covers a large area to the north and east of the bridge, reaching Akihabara to the north and the Sumida River to the east. Otemachi is to the west and Yaesu and Ginza to the south.
Henri Privat-Livemont (1861–1936) was an artist born in Schaerbeek, Brussels, Belgium.<br/><br/>

He is best known for his Art Nouveau posters. From 1883 to 1889, he worked and studied in the studios of Lemaire, Lavastre & Duvignaud. He later moved back to Brussels, and worked on theaters and casinos there.
Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.
Henri Privat-Livemont (1861–1936) was an artist born in Schaerbeek, Brussels, Belgium.<br/><br/>

He is best known for his Art Nouveau posters. From 1883 to 1889, he worked and studied in the studios of Lemaire, Lavastre & Duvignaud. He, with Lemaire, created the decor of the Theatre Francais as well as the Hotel de Ville, Paris. He later moved back to Brussels, and worked on theaters and casinos there.
Conquered by France in 1859, Saigon was influenced by the French during their colonial occupation of Vietnam, and a number of classical Western-style buildings and French villas in the city reflect this. Saigon had, in 1929, a population of 123,890, including 12,100 French.